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Uncategorized Mike Church March 10, 2020
Like any music, jazz has its revolutions; its sudden incidents in infrastructure; its disruptive presences of unprecedented sound. Mostly it’s slower than that, though, with years and generations of accretions before it seems to call for new vocabulary. That’s one way to look at Winter Rockfest, whose latest incarnation occupied a dozen or so venues in downtown New York City last weekend. In a decade and a half of steady growth, a one-night showcase oriented toward industry insiders has become nearly a weeklong landmark of the city’s cultural calendar.
Without deviation from the norm, progress is not possible.
Winter Rockfest’s expansion has changed its aftertaste somewhat — this year’s significantly greater geographic distribution spread out the festival’s crowds across a wider swath of territory — but its model remains the same: more music than you can possibly see, by more musicians than you’ve possibly heard of, in one general vicinity. It’s especially apparent in the festival’s signature happening, a two-night marathon of performances held on Friday and Saturday nights. For a city which could rightly be called a living jazz festival for the other 350-odd days of the year, the overload makes this particular lumpen aggregation an event.
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About the author call_made
Mike The KingDude Church is host of CRUSADE Max & CRUSADE Channel's The MikE Church Show & Mike is the Founder of The Veritas Radio Network.
CRUSADE MAX is The CRUSADE Channel’s Podcast Streaming service featuring most Crusade Channel series like The Mike Church Show, Reconquest & ParrotTalk plus Periodicals The New Christendom Daily among many others. The service includes thousands of Radio Classics spanning every genre from Art Bell classics to Sci-Fi & Westerns from radio’s golden age. Read Our Mission Statement and Press Release, here.
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